Reasons to begin...

So, I begin this blog on the basis of an article I've written called Reclaiming Femininity: My admiration for Lady GaGa and Amanda Palmer (which I'll re-post below, in case you happened to miss it). I realised that I've got a lot of 'feminist rants' in me, and this blog is my forum, my arena of feminist thought. I hope to be, at times, humorous and at others passionately devoted and serious. I'm not an expert scholar nor am I completely unacademic but a balance, I feel, between the two. Not too indebted to traditional feminism but equally not entirely ignorant of it. My ideas are what my generation feels, what we struggle with because every era has its own feminist issues and that is why feminist will never be irrelevant.

My article, if you please.

Reclaiming Femininity: My admiration for Lady GaGa and Amanda Palmer

I find myself in a culture where I am blamed for something that I am pressured to do. Look at all the clothes that will make you look attractive but if you wear them you’re a slut. I don’t want to wear men’s clothes to avoid being thought of as a slut. I am a woman; I want to be feminine. But I want to be feminine on my own terms. I want to be a woman’s idea of feminine, not a man’s idea. That’s why I admire women like Lady GaGa and Amanda Palmer. They are female on their own terms, they are not objectified nor are they masculinised. Though, people have tried to masculinise them because they are very intimidated by this revolutionary idea. In breaking down the binary one can be a new version of female – a female version of female.

What Lady GaGa wears can be thought of as ‘promiscuous’ but it is not, to me, objectifying because it is not something men find specifically attractive – it is ‘weird’ to them, they don’t find her sexual because of this and the fact that her body is somewhat androgynous. When she does ‘beauty shots’ people seem surprised to find that she is ‘actually quite pretty’ in a more traditional, binary way. What is admirable about Lady GaGa and her fashion sense is that she is unafraid to be ‘unfeminine’ just as she is prepared to be ‘promiscuous’ and thus creates a non-gender-specific role for herself. The fact that she has been called a transsexual is testament to society’s confusion at such an idea. They also cannot understand how a female is able to have such a strong identity that is essentially linked to a masculine pursuit – GaGa is a fashion icon, of the female domain, but she is primarily a musician which is male dominated industry. Yes, there are thousands of female artists but their image is controlled by men, or what men want. They are sexualised or virginised, the age old juxtaposition. Artists like Rihanna (being the most overt and obvious example) are catered to a male ideal of what is sexual and feminine. Equally, artists such as Taylor Swift are seen as shining example of purity and virginity but are also merely another male idea of what it is to be feminine. GaGa, whilst being sexual, is not specifically sexual towards men. Her sexuality is also aimed at women, in a wonderfully different way. She seems to invite them to be women alongside her, rather than to challenge them with her superior sexuality. She is not afraid to be sexual but, equally, she is sexual on her own terms.

Amanda Palmer does this in a different manner; she is not nearly as self-conscious about her image as GaGa and this reclaims her femininity in almost the opposite way. Her tendency to perform wearing only her bra normalises what is ordinarily a sexual item of clothing; her casual manner making what might have been seen as a ‘promiscuous’ act something that seems hardly worth commenting upon. Her refusal to adhere to her record labels ideas about her image – namely, that she ought to lose a few pounds – again subverts society’s ideas about female beauty. Amanda Palmer is not fat but neither is she skinny – her shape is distinctly ordinary and, again, she is unperturbed by expectations put upon her by a male dominated business. I would say that Palmer’s body shape is one of a typical female and the fact that she is unashamed of it is encouraging for her contemporaries. Accepting a female form that is realistic and healthy is far more helpful than accepting one that is unhealthy (both drastically under and over-weight). Palmer further refuses this idealised image of the feminine by revealing unshaven body hair – in many photographs and videos upon her raising her arms we can see this outward sign of protest. This seems to be a more self-conscious feminist statement as shaving is obviously a part of a ‘pornified’ view of what a woman ought to look like.

My admiration for these two women stems from the fact that they are unashamed of their sex and thus embolden one in the struggle between wanting to be feminine and not wanting to be objectified. The two ought not to be mutually exclusive at all but, sadly, it is the general feeling that they are. In order to be taken seriously one ought to dress like a man. If a woman wishes to express her sexuality through the way that she dresses then she must expect to be taken advantage of; after all, by dressing in this way she is openly inviting all men. Her preference is of no consequence. I feel that this injustice is awful and thus I will fight, like Lady GaGa and Amanda Palmer, to reclaim my femininity.